It also has a MIDI sidechain input, letting you control the pitches it generates in real time from a controller keyboard. Spectral Resonator is a granular processor that takes your audio, dices it into tiny pieces, and loops, stretches and compresses it to create pitched resonances. Among the novel Live devices are Hybrid Reverb, which combines convolution and algorithmic reverb generation to, as Ableton put it, “create any space, from accurate real-life environments to those that defy physical reality”. No integer update of a major DAW would be complete without some new toys to play with, and Live 11 is no exception. Traditional MIDI hasn't been left out though: the probability-based note and controller triggering made popular by Elektron's sequencing boxes can now be applied in Live too, so that you can set the chance, as a percentage, that a certain note will trigger, or even define a range of note velocities to be triggered at random - which sounds like a great way to inject a little humanity into programmed drums. What's more, a number of Live's bundled devices will now respond to MPE data - including Wavetable, Sampler and Arpeggiator. MPE support means you can now record and edit multi-dimensional performance data from ROLIs, LINNstruments, Keith McMillen and Joué controllers, plus many more besides, aided by a new Expression View. This lets you group a selection of two or more tracks and edit their content together with sample-accurate timing, much as you can with Pro Tools' Edit Groups.Īnother area that has received considerable attention is MIDI, and most notably in Live's adoption of the new MIDI Polyphonic Expression, or MPE, standard. Live now organises multiple takes of an audio or MIDI performance into parallel lanes, which you can use to comp together the perfect pass - though Ableton suggest that this new comping feature has utility in sound design too, for create rhythmic stuttering effects and more.Īlso borrowed from more traditional DAWs is a feature called Linked-track Editing. Live's DAW credentials have also been given a shot in the arm. Plus, you can now assign up to 16 Macros to entire Racks, and these can be randomised at the push of a button should you wish to inject a little chaos into your performances. And for on-the-fly tweaking, Live's Macro feature has also been given a boost, in the form of snapshot saving and recall. Live 11 will now automatically follow the tempo of an incoming audio stream, allowing you to perform your computer wizardry in time with a live band or DJ. We'll start with what made Live so popular in the first place: its real-time performance features. Ableton Live 11 has just been announced, and with it a host of additional sounds and devices, plus enhancements to its audio and MIDI recording and editing tools.
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